How to Get Started With a 35mm Film Camera

How to Get Started With a 35mm Film Camera
5 min read

When you're looking to get back into analog photography, the best way to do so is with a good 35mm Film Cameras. These cameras are designed to be easy to use, have great build quality and are relatively inexpensive compared to modern digital technology.

Shooting film offers many advantages including the delayed gratification of seeing your images on paper. It also encourages you to think more before shooting and carefully compose your shots.

Single Lens Reflex

One of the most common ways for people to get into film photography is through the humble 35mm Single Lens Reflex camera. These cameras offer 36 exposures on a single roll of film, are easy to use and allow beginners to learn the basics without breaking the bank.

These cameras were also one of the first cameras to include a shutter-priority autoexposure system. This allowed users to set the shutter speed and focus then let the camera decide what aperture to open up, allowing for better control over the image composition and the ability to take images in low light conditions.

Unlike the M5 and the CLE, the CL didn’t have a CdS light meter that measured the amount of light reflected off of the shutter curtain (which protrudes rear elements or collapsible lenses can cause damage to). Instead, the CL used a silicon photodiode meter which displayed a range of shutter speeds on a horizontal scale along the bottom of the viewfinder. This was an extremely innovative feature at the time, and a great way to keep the cost of the camera down while ensuring accurate exposures.


If you’re a film lover and a fan of old-school cameras, you’ll love the Rangefinder 35mm Film Camera. This type of camera features a viewfinder that allows you to see what the final image will look like without looking through the lens, which is a huge advantage over SLR cameras.

Another important thing to note about a rangefinder is that it doesn’t have a mirror, which makes it smaller and lighter. This also means that engineers have more room to design lenses that are closer to the focal plane, producing sharper images.

A rangefinder can be difficult to use if you don’t have a lot of experience with them. The lack of a mirror can cause parallax error, which means that the image you see in the viewfinder does not match what will be recorded on film. This can be especially problematic if you’re shooting close-ups or macro shots because it makes it harder to focus the lens.


Point-and-shoot cameras are easy to use and offer great picture quality at an affordable price. They are also very compact and easy to carry around.

These cameras can be used by amateurs and professionals alike. Many have advanced features like Wi-Fi connectivity, face recognition, and automatic sharing to social media platforms.

They may also have a large display that allows you to review and compose images easily. A point and shoot camera should also have image stabilization to ensure clear, sharp pictures in any lighting condition.

These cameras can range from under $100 to over $1,000 depending on their size and features. They aren’t inexpensive, but they are good enough to produce high-quality photos for most people.

Large Format

Large format cameras are used by professional landscape, architectural, and still photographers to capture high resolution images. This is achieved by using a larger negative than 35mm film, which results in a better tonal range and more detail.

Typical large format film sizes are 4x5, 5x7, 8x10, and 11x14 inches. Unlike 35mm roll film, large format cameras use sheet film in separate sheets that are loaded into film holders and then loaded into the camera.

View cameras are a subcategory of large format cameras and take sheet film in various sizes. These cameras have a viewfinder on the back of the camera where the photographer can see the composition of the scene and compose the camera accordingly.

The front lens plane and the back film plane can be moved up or down, which gives a photographer maximum control over depth of field, perspective correction, and keystoning in the image. The bellows, which is a flexible material that is able to accommodate various shifts in movements of the front and back film planes, also allows the photographer to extend the range of control over the camera.

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